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Black Solid Wood Modern Wood Dining Chairs , Saarinen / Eames Organic Chair Replica

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Quick Details
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# Type: Dining Room Furniture
# Specific Use: Dining Room Chair
# General Use: Home Furniture
# Material: Fabric
# Appearance: Modern
# Style: Leisure Chair
# Folded: No
# Size: D65*W73*H85
# Place of Origin: Guangdong, China (Mainland)
# Brand Name: Nasida
# Model Number: CH113
# color: S2#

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Description:

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Eames & Saarinen Organic Chair Replica

Item No. : CH113-S2#

1. Fabric upholstery ( leather available)

2. Solid wood legs

3. The Charles Eames and Eero Saarinen Style Organic Chair is a high quality reproduction in the style of the original design.

4. Originally designed as a comfortable small reading chair, made in 1940 as a contribution to the New York MoMA& acute;s & quot;Organic Design in Home Furnishings& quot; competition. Formally speaking it was ahead of its time, but owing to the lack of manufacturing techniques, never went into production. It was not until after 1950 that it became possible to manufacture larger quantities of organically shaped seat shells and market them. The first were chairs such as Eames& acute; famous Plastic Armchair or Saarinen& acute;s Tulip Chair.

5. Suitable as a contemporary office chair, this reproduced design classic can also be used in many rooms as a side chair or dining chair.

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Specifications:

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Product Name: | Eames & Saarinen Organic Chair Replica CH113 |
Designer: | Eero Saarinen |
Product No.: | CH113 |
Product Material: | cashmere fabric cover chair body with PP plastic mould inside, ash solid wood legs |
Upholstery Material: | cashmere fabric / full Italian top grain leather |
Available Colors: | Black, white, red, brown and so on. |
Product Dimension (cm): | L65*W73*H85 | ? |
Package: | K=K Carton | K=K Carton |
Packing Size (cm): | 83*92*80 | ? |
Single CBM: | 0.62 | ? |
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Designer introduction:

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Eero Saarinen |
At the age of 12, Eero Saarinen won a matchstick design contest. It was the first of many competitions he would win in his life, and foreshadowed his remarkable career as an architect. He grew up in a home where drawing and painting were taken very seriously, and a devotion to quality and professionalism was instilled in him at an early age. He was the son of Eliel Saarinen, a noted and respected architect. His mother Loja Saarinen was a sculptor, weaver and photographer. He was taught early that each object should be designed in its next largest context a chair in a room, a room in a house, a house in an environment in a city plan. The Saarinens emigrated from Finland to the US and settled in Michigan. After studies at Yale School of Architecture Eero Saarinen became an instructor of design at the Cranbrook Academy, and joined his father′s architectural firm. During this period he began to build a reputation as an architect who refused to be restrained by any preconceived ideas. He continued to carefully study the site and its surroundings to ensure that the design encompassed the whole environment. In 1937 Saarinen begun his collaboration with Charles Eames which culminated in a series of highly progressive and prize-winning furniture designs for The Museum of Modern Art′s 1940 & quot;Organic Design in Home Furnishings& quot; competition. One of the first office seating programmes - the No 71 model - was also presented in this show. Saarinen later produced several highly successful furniture designs for Knoll International. One of the most well known is the & quot;Tulip& quot; series with pedestal tables and chairs in aluminium and fibreglass from the mid 50′s. Saarinen’s mission in this model was to clean up & quot;the slum of legs& quot; in domestic interiors. As his designs show, Eero Saarinen was a man of vision. Though his life was tragically cut short, his vision lives on through the structures that he created. Eero Saarinen′s greatest architectural project was the remarkable TWA terminal at John F. Kennedy Airport, New York. eames & saarinen organic chair Design Charles Eames & Eero Saarinen, 1940 Laminate seat shell, beech legs, upholstery Made in Germany by Vitra For the & quot;Organic Design in Home Furnishings& quot; competition held by the Museum of Modern Art, Charles Eames and Eero Saarinen created an entire series of versions of the Organic chair, each intended for a different sitting position. The designs were ahead of their time, but never went into production owing to a lack of technology. Not until after 1950 was it possible to produce (and sell) larger numbers of organically molded seat shells, such as the Eames’ famous Plastic Armchair or Saarinen’s Tulip chair. While the Organic chair is a comfortable small reading armchair, the Organic Highback has a higher backrest and neck support. In addition, the armrests and seat area are broader and longer. Available in an assortment of vibrantly colored fabrics. Beech legs, stained black. |
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